Introducing my newest font, Clean Your Neighborhood. It comes from a WPA poster issued by the NYC Tenement House Dept. under Mayor LaGuardia. Apparently, during the 1930s people were just throwing cans, barrels, wooden boards, crumpled garbage bins, and shirts willy-nilly throughout the city alleyways, making a real mess. No wonder everyone was so depressed! LaGuardia put a stop to it by enlisting the unemployed to tidy the place up a bit. Depression solved!

(Of course, a side-effect of LaGuardia's clean-up effort was the removal of all the psychotronically shielding bits of tin from Tin Pan Alley, thus exposing New York's previously sheltered paranoid culture to the ravages of mind control, replacing depressive realism with psychotronically programmed "happiness".)

Also, for those who never read my "What's New" box on the front page, I noticed that I neglected to mention my last font on the blog, so, here it is: Slow Down Girls!

Next year will mark the octocentennial of the Yeti-Sasquatch Transpacific Brotherhood accord, which was inaugurated with vigorous hand throttling by the Yeti and Sasquatch representatives at the 1208 Global Hominoid Congress held in Sakteng, Bhutan. The accord ended ninety-three years of hostility that started after a disagreement at a stomper tournament (the details of which were wisely forgotten).

Yeti arrive in Cascadia.

For 799 years since, Yeti and Sasquatch have enjoyed good barter relations and an open border policy that has led to close cultural ties between the two hominoids -- ties that are stronger now than ever. Yeti wishing to reach Cascadia for barter or to emigrate have long had to cross the Bering Strait on ice drifts during the winter months. This constriction in cross-cultural flow changed in the twentieth century when Yeti discovered and took advantage of human trade routes, and now Yeti can travel year-round by hiding in shipping containers bound from China and India to major Cascadian ports.

The next time you're down by the docks in Little Yetitown, do your meager human part to support the Yeti-Sasquatch Transpacific Brotherhood by visiting a Yeti bartering-post container, where you can browse the yak-dung sculptures of Yeti artisans or try a traditional Teh-Lma delicacy of live Himalayan sucker frogs.

Serious historians of international hominoid agreements, as well as hipsters who enjoy being <finger-quote>ironic</finger-quote>, can also buy Cafepress shirts (human sizes only, sorry) emblazoned with the official commemorative emblem -- which, by the way, uses my newly released font: Greensboro.

Introducing the poster "A New Dawn for the Tree Octopus", issued by the Cascadian Department of Cephalopod Conservation to raise awareness of the Pacific Northwest Tree Octopus's plight. It depicts a lone tree octopus in the coastal forests of Hood Canal waking from her coniferous lair to a New Dawn for her species. Are you doing your part to help save the tree octopus?

(The poster was created by artists employed by the Cascadian Works Progress Administration, which provides honest jobs for honest barter to unemployed Sasquatch trained in the vector arts.)

Currently I'm making the image available on a mini poster, large poster, and postcards. If anyone is interested in having it on anything else, let me know.

As a bonus, the poster uses my newest font: Enemy Sub! (Actually, I made the font over a year ago and just procrastinated putting it up.)

Also, I updated the Tree Octopus logo used on the merchandise in the shop. I ate my own dog food by using my Duarte Centenario font, which, while not as patriotic as the previously used Tahoma, does look better with the rough tentacle ribbon image. If you bought a product with the older image, it's now a valuable collector's item. Sell it on eBay and get rich!

Submarine vs. Whale is an Art-Nouveau-ish font based on the heading of a 1911 illustrated account of Lieutenant Chester W. Nimitz's encounter with whales while commanding the USS Narwhal. It's cleaner than the original, but still has some irregularity in the curves to give it character. Great for tales of underwater Edwardian adventure!

Here are two fonts I just created...

Duarte Centenario is a somewhat irregular title font. Good for your resistance movement's posters calling for the overthrow of foreign rule.

Duarte Juramento works well for comic lettering. Or serious lettering.

This pseudo-family is based off of hand lettering from a 1938 Dominican Republic stamp (Scott #335) honoring the centennial of La Trinitaria, an underground resistance movement led by Juan Pablo Duarte that helped repel the Haitians from the eastern side of Hispaniola. The country name and the names of the three founding Trinitarios (Duarte, Francisco del Rosario Sánchez, and Ramón Matías Mella) were written in what is now Centenario. The entire Oath of the Trinitarios (including vexillogical directives) was squeezed into a triangle of microprint, which I have made into Juramento. (Both the originals had no accents, but the fonts have full sets of accented glyphs.)

I have also created a fonts page to house them and any future fonts I make.